An artist whose installations & performances integrate live body mark-making and sculptural display.
| 1958 | Born Peterborough, England |
| 1980 | BSc Geology, Chelsea College, University of London |
| 1981 | PGCE, University College of Wales, Aberystwyth |
| 2001 | BA Ceramics, University of Westminster |
| 2007 | MA Fine Art, Central Saint Martins College of Art & Design, University of the Arts London |
Lives in Buckinghamshire, works in and around London
Performances, exhibitions and other projects
| 2009 October | Research Project - working title: 'Clay, Body and Performance: an investigation into the relationship between the human body and clay, in artistic activity, through time'. Joining the doctoral programme at the Centre for Research in Education, Art and Media (CREAM) at the University of Westminster |
| 2009 July | Slip Dipping I - live participatory action - part of Hop Skip - Liquid Studios, Hackney Wick - Hackney Wicked Art Festival 2009 |
| 2009 July | Camouflage - photographic collaboration with Cally Trench. Part of the Remarkable and Curious Conversations project |
| 2009 April | Colours I - live performance and installation - part of East Wing Collection VIII - On Time, at The Courtauld Institute of Art, Somerset House, Strand, London |
| 2009 April | Sitting Slip I - live performance and installation - At Play 1 - South Hill Park, Bracknell |
| 2009 April | Stable VI - live performance and installation - Surface! - The Oxfordshire Museum, Woodstock |
| 2009 February | Segments, a collaborative photographic project, published in Foto Kvartals alongside an essay by Marion Duquerroy - 'Mapping the Performance: Romain Forquy and Philip Lee's Segments' |
| 2009 January | Slip VI - video piece shown at 'The Joy of Clay' at The Design Museum, London |
| 2008 December | Stable V - live performance and installation - On the Surface - The Parlour, Kentish Town, London |
| 2008 October | White III & IV - limited edition flipbook and envelope contain DIY cutout model, both illustrating part of Lee's White performances |
| 2008 September | Earth - video piece, in collaboration with Romain Forquy |
| 2008 July | Ophelius - photograph, in collaboration with Romain Forquy |
| 2008 May | White II - installation and live performance, part of East Wing Collection VIII - On Time at the Courtauld Institute of Art,, Somerset House, Strand, London |
| 2008 February | Visiting Lecturer - Institute for Arts in Therapy & Education, London |
| 2007 September | White I - installation and live performance - MA Degree Show, Central Saint Martins College of Art & Design |
| 2007 June | Water I - installation and live performance - Act Art 5 - Till Death Us Do Art, The Arches, London Bridge |
| 2007 April | Slip XII - Private performance for video camera at the University of Westminster in Harrow. On-going documentary project. |
| 2007 January | Slip XI - installation and live performance - '11,472' - Central Saint Martins MA Fine Art Interim Show 2006 at The Barge House, Oxo Tower Warfe, Southbank, London |
| 2006 July | Slip X - installation and live performance - Central Saint Martins MA Fine Art Symposium 2006 - Matt's Gallery, Mile End, London |
| 2006 July | Slip IX - installation and live performance - Human Technology - Synergy Gallery, Camberwell, London |
| 2006 - present | Clay Pigment Film photography project, in collaboration with Romain Forquy including: Splits, December 2006 (Online book Beating Time), Still I, June 2007 (auctioned on 6 July 2007) and Segments, May 2008 (published in Foto Kvartals, February 2009, along with an essay by Marion Duquerroy) |
| 2006 May | Slip VIII - live performance - Central Saint Martins College of Art & Design University of the Arts, London |
| 2005 November | Slip VII - live performance - Act Art 3 - Public Disordar, Central Station, Kings Cross, London |
| 2005 November | Photographs included in Intimacy - human people, completelynaked.co.uk - on line and at Campbell Works, Stoke Newington, London |
| 2005 Sept/Oct | Slip VI - installation and live performance - Pieces By Eight - London Gallery West, Harrow |
| 2005 September | Stable III - body print included in Anywhere in the World: David Medalla's London - ICA, London |
| 2005 June | Slip V - live performance - Fallen Angels - Kingston Rowing Club, Hull |
| 2005 May | Stable III, Slip IV - installation and live performance - May Fete with a Twist - Cecil Sharp House, Camden, London |
| 2005 March | Slip III - live performance - Hidden Voices - The Kingsgate Gallery, London |
| 2004 August | Stable II - live performance - Eros Arrows - group show at The Foundry gallery, London |
| 2004 June | Slab III - live performance - Area 10 Summer Show, Peckham, London |
| 2004 March | Slip II - installation and live performance - saprimaverdada - group show at Area10, Peckham, London |
| 2004 March/April | Sketch I and II - About a Boy - group show of paintings - The Drawing Room, Chesham, Bucks |
| 2003 January | Slab II Emergence II - installation and live performance - Mutiny - group show at The Barge House, Southbank, London |
| 2002 July | Riverside Centre, Leighton Buzzard, Bedfordshire |
| 2001 August | Art in Clay, Hatfield House, Hatfield, Hertfordshire |
| 2001 July | New Designers, Business Design Centre, Islington |
| 2001 June | Earth & Fire VII, Rufford Craft Centre, Nottinghamshire |
| 2001 June | BA Ceramics Degree Show, University of Westminster, Harrow |
| 2000 November | Slip I - University of Westminster, Harrow |
| 2000 May | Stable I - Aylesbury, Buckinghamshire |
| 1999 December | Sand I, Emergence I - Dagnall, Buckinghamshire |
Articles
| 2009 February | Marion Duquerroy, Mapping the Performance: Romain Forquy and Philip Lee's Segments, Foto Kvartals, 1(15) |
| 2008 January | Katy Blatt writing for a handbill for the performance of White II at the East Wing Collection VIII - On Time at the Courtauld Institute of Art, London |
| 2005 November | Gloria Tessler, Art Notes, Journal of the Association of Jewish Refugees - includes a brief reference to performance of Slip VI on 15th September 2005 |
| 2005 September | Janice West, Unearthing Something Interesting, Essay in Pieces By Eight, 2005, catalogue for group show of 'new ceramics' |
| 2004 March/April | Jo Dahn, Think About It, Ceramic Review 204 - introducing 'conceptual ceramics' |